Official website of the Cultural Center House, Moscow

February 12, 2020

Pavel Karmanov and Friends. Favorites, premieres and surprises. Anniversary concert.

• Pavel Karmanov
• Maxim Novikov
• Valentina Borisova
• Mikhail Dubov
• Marina Katarzhnova
• Natalia Zhukova
• Evgenia Boginskaya
• Valeria Prokushev
• Elena Revich
• Yulik Yagudin
• The list of participants will be supplemented

To buy a ticket –>

Start at 20.00

The cost of the input ticket on the day of the concert is 800 rubles. ATTENTION! The ticket is the input and does not provide a guaranteed sedentary place.

Fifty pockets
Birthday concert

Pavel Karmanov was born on February 12, 1970 in the city of Bratsk, the Irkutsk region in a family of musicians. He began to write music in Novosibirsk from the age of 5. He graduated from the Central Music School in 1988 and the Moscow Conservatory in 1995. His teachers at different times were Yu. Kholopov, A. Leman, A. Bykanov, G.Dmitriev, A. Nicolaev. In school and student years, he actively participated in the concert life of Moscow. He composed music in different styles. Since the beginning of the 90s, he has been passionate about the aesthetics of the Rodguard, New simplicity and minimalism. Today, Pavel Karmanov’s music is inherent in tonal certainty, impressionist flavor, laconicism of form, original refraction of post -garde practices, the use of any modern styles, as well as various audiovisual effects in concert performance.

Since 1996, Pavel Karmanov is a member of the Union of Moscow Composers. He is a regular participant in music festivals, such as “Moscow Autumn – 91, 96, 97, 98, 2006,“ Alternative – 96, 97, 98 ”, Memory of Memory of Oleg Kagan (Moscow, 1992), Memory of Anatoly Vedernikov (1997) and a festival of memory Festival “Soundrotee 1999 Tokio – Moscow” in Japan, Festival “Dialog” (Moscow, 1996), E. Denisov festival in Tomsk (2003), Festival “Warsaw Autumn – 2005”, D.D.Shostakovich festival (USA ) (2006). The works of Pavel Karmanov are performed in the Bolshoi, Small and Rachmaninsky halls of the Moscow Conservatory, in the house of composers, in the cultural center of the house, in the large and small halls of the St. Petersburg Philharmonic, at concerts and festivals in different cities of the world.

Pavel Karmanov’s interpreters were pianist and harpsichordist Alexei Lyubimov, altist and conductor Yuri Bashmet, violinist, altist and conductor Nazar Kozhukhar and his “Thepocket Symphony”, violinist Tatyana Grindenko and “Opusposth”, percussionist Mark Pekarsky and his ensemble, pianists Gribol, Pianists Gribol. Polina Ossetian, Mikhail Dubov, violinist Marina Katarzhnova, Elena Revich, Vladislav Pesin and his “The One Orchestra”, Altisty Maxim Novikov and Mikhail Bereznitsky, Moscow Ensemble of Modern Music (MAM), Padsensemble (Italy), the Ensemble “Seattle Chamber Playyers”. USA), Odeon quartet (USA), Youth Choir of the Philharmonic Society of St. Petersburg Pu Julia Khutoretskaya, orchestra on historical instruments Pratogum Pavel Sergina, State Chamber Orchestra and Goboist Alexei Utkin.

Pavel Karmanov is the author of music to many artistic and documentaries. Among the works are the music for the films of Timur Bekmambetov “Arena” (“Gladiatrix”) and “Gas – Russian Machines”, “Soldier Decameron” by Andrei Proshkin, “Enemies” by Maria Mozhar, “Letter” by Matvey Zhivova, “Hulfstream near Iceberg” Evgeny Pashkevich and others. Karmanov created the soundtracks for the television series Nana Georjadze “Only you”, Ali Khamraev “Place under the Sun” and “Artists”, Oleg Fesenko “Multiplying Sorrow”, as well as to the films of the animator Ivan Maximov “Flood” and “Bridge in the right direction” and documentary Alexey Khanyutin, including “Music for the Fireworks”, “Context”, “Evacuation”, and “Road”.

Dranding projects – “Vertep” in the KZ named after Tchaikovsky (2002) with the participation of the Sirin, Academy of Old Music, Tatyana Grindenko, the group “Fungally Refusal”, the ensemble of the percussion instruments, the Pekarsky and the Gnesinsky virtuoso orchestra, conductor Mikhail Khokhlov, projects “13 pockets” and “birthdays” in the Moscow Cultural Center “House” (2000-2006), an author’s evening in the Small Hall of the St. Petersburg Philharmonic (2004). A noticeable event was the premiere of the play “Spring in January” in the Great Hall of the Conservatory for Yuri Bashmet, Alexei Lyubimov and the New Russia Orchestra (2005). Play Get in !! The festival Moscow Autumn – 2006 was closed.

C1997, Pavel Karmanov’s music constantly sounds in many commercials on TV, in the design of television and radio programs.

In the past few years, the profession of a modern composer began to regain the former prestige in domestic culture. Of course, we can’t catch up with Soviet times when the leading composers were idols of the general public, while others lived comfortably using the benefits of public procurement. But the names of the creators of modern academic music today Again, by hearing: the cultural person is already supposed to know not only Leonid Tetratnikov and Vladimir Martynov, but also Dmitry Kurlandsky, Sergey Nevsky, Alexander Manotskov and Alexei Syumak, and after all, a whole generation of promising composers reaches for them.

Few of them, however, boast of the fact that they collect the full halls of the public. But at the entrance to the Zaryadye Hall on the Christmas Tolepe Pavel Karmanov, they asked extra tickets. And after all, the concert was not in the small hall, but in the large one, where 1,600 people were placed on four edges of the stage.

Composer Pavel Karmanov Talent and Professional, but that would be few. He can perfectly interact with several musical territories that are by no means included in the sphere of ownership of the modern composer – but he knows how to bring bridges with them.

One of these territories is rock music. Non -profit, even intelligent – this includes the work of the group “Flightless Refusal”. Pavel Karmanov is a participant in this group, a keyboard player.It is as easy for him to write music for the group as for the academic composition, although with equal success this can do the leader of the group, guitarist Roman Suslov.

The other is Russian folk music. In Moscow and in the world there is a true king Berendey in this direction – Sergey Starostin. A vocalist, a duddy, a gussel who knows how to dance and bang into a tambourine at the right moment, he is not only a folklorist scientist with expeditions for songs and tunes, but also a grated participant in the World Music World Scene, that is, an artist who is in a completely modern artistic artistic artistic art context.

The third territory is ancient church music. It would seem that liturgical singing in its ancient departments is the sphere of pure science, musical paleography. However, the ensemble of ancient Russian spiritual music “Sirin” under the direction of Andrei Kotov has not been convinced of us for several decades that the warehouses of these chants are perfectly joined with many modern composer systems. It is only necessary to find a suitable plot, and archeology with the vanguard will immediately pray a joint prayer – which is an example to serve as an unforgettable performance by Anatoly Vasiliev “Crying Jeremiah” (1996), where the Sirin ensemble created a stage ritual, performing the music of Vladimir Martynov. ”
Peter Pospelov, Vedomosti, January 15, 2020